Make sure to tune in to Jazz at 100 every Thursday night from 7-9! These are the two hours that aired on January 11.
Duke Ellington was the well-spring that flowed through many decades of jazz. In 1938, Ellington found his soul-mate in composer/arranger Billy Strayhorn. By the early 1940s, Strayhorn combined with bassist Jimmy Blanton and tenor saxophonist Ben Webster to reinvigorate both Ellington and his band. In the next hour, we will feature the compositions and arrangements of Ellington’s most important collaborator, Billy Strayhorn, from Take the A Train and Chelsea Bridge through Satin Doll and Lush Life to his dying lament – Blood Count – from 1967.
In the 1940’s, some twenty-five to thirty years into the history of recorded jazz, the sometimes violent reaction against the bebop revolution caused a hard look into the rear view and the jazz world focused on its own history. Many of the players who led the first jazz revolution were still alive, ready for prime time, and welcoming of another chance at center stage. The outside forces that led the small ensembles of bebop and R&B into prominence, also supported the resurgence of quintets and sextets playing New Orleans-style jazz.