Tag Archives: Dixieland

Jazz at 100 Hours 31 and 32

Make sure to tune in to Jazz at 100 every Thursday night from 7-9! These are the two hours that aired on January 11.

Hour 31:

Duke Ellington was the well-spring that flowed through many decades of jazz. In 1938, Ellington found his soul-mate in composer/arranger Billy Strayhorn. By the early 1940s, Strayhorn combined with bassist Jimmy Blanton and tenor saxophonist Ben Webster to reinvigorate both Ellington and his band. In the next hour, we will feature the compositions and arrangements of Ellington’s most important collaborator, Billy Strayhorn, from Take the A Train and Chelsea Bridge through Satin Doll and Lush Life to his dying lament – Blood Count – from 1967.

Hour 32:

In the 1940’s, some twenty-five to thirty years into the history of recorded jazz, the sometimes violent reaction against the bebop revolution caused a hard look into the rear view and the jazz world focused on its own history. Many of the players who led the first jazz revolution were still alive, ready for prime time, and welcoming of another chance at center stage. The outside forces that led the small ensembles of bebop and R&B into prominence, also supported the resurgence of quintets and sextets playing New Orleans-style jazz.

Jazz at 100 Hours 1 and 2

Did you miss the airing of the first two hours of Jazz at 100 last week? Don’t worry, because you can listen to them right here in preparation for hours 3 and 4 tonight from 7-9 PM.

Hour 1:

On February 26, 1917, five musicians from New Orleans recorded for Victor Records in New York as the Original Dixieland Jazz Band, bringing a new syncopated music to the broader world – jazz. The new music form had developed and evolved in New Orleans and Chicago, primarily, from a rich mix of sources. In this hour, we’ll be exploring these first recordings and their antecedents – African rhythms, sanctified singing, vaudeville, minstrelsy, blues and ragtime.

Hour 2:

As New Orleans lost its commercial position as a major port and blacks fled the oppression of the American south, the cream of NOLA musicians hit the road. Many would play a significant role in the development of jazz.  In this hour we will explore the music of two of these pioneers – trombonist Kid Ory and cornetist King Oliver.