Tag Archives: Musicians

Why A Jazz Festival Is Asking Musicians To ‘Do It Yourself’

The Undead Music Festival has grown every year. In 2012, it outgrew New York City.

This jazz festival typically seizes small pockets of Brooklyn and Lower Manhattan, building immersive urban playgrounds where largely young audiences flood venues with colored admissions bracelets. It is jazz as both heady experience and social happening. But on Friday’s Night of the Living DIY, the venues scatter across five Brooklyn neighborhoods, as well as a half-dozen cities across the U.S.

Still, the festival’s expansion — and its use of “do-it-yourself” spaces rather than traditional clubs — is really a way of asking audiences to think smaller, to look closer to home. To turn off (computers and stereos), tune out (from your MP3 collection) and drop in (on a snug, local gathering).

As the head of Capitalbop, an organization that seeks to engage local jazz audiences in Washington, D.C., and presents informal shows in service of that goal, I find this development exciting. Search & Restore, one of the groups responsible for Undead, has decided to feature living-room venues simply because they are already thriving: A quiet movement of artist-produced, anti-corporate jazz concerts is creeping across the country. Here are a few of the motivations that I’ve perceived for this idea, and for Undead’s decision to embrace it.

1. Jazz thrives in unmediated spaces. The venues at the Night of the Living DIY range from artist studios to musicians’ lofts. Some don’t have event permits, let alone liquor licenses. One, in Bedford-Stuyvesant, is the living room of Search & Restore director Adam Schatz’s friends. In these settings, “You’re just in a room with the music, and that’s what’s important,” Schatz told me earlier this week. “On the artistic side, that’s usually where it starts — people playing this music in their homes — and it’s kind of cool to perform it in a similar, raw setting. Not just physically raw, but emotionally raw: There’s a kind of vulnerability to [these spaces] that I think really magnifies the humanity of the music, which is what makes it so special.” Continue reading Why A Jazz Festival Is Asking Musicians To ‘Do It Yourself’

Why Tax Day Is Even Worse For Musicians

The income tax filing deadline in the U.S. approaches, and jazz musicians in particular know it. The overwhelming majority of jazz musicians are freelance performers (and often freelance teachers, composers and other music-related service providers). But the informal aesthetics of the jazz world often extend to its business practices as well, with its handshake deals and cash payments. That makes it quite difficult to keep track of income and expenses when it comes time to report to the Internal Revenue Service.

It can be to musicians’ benefit to keep meticulous records. Businesses, including people who are self-employed businesses unto themselves, file their taxes differently, and are eligible for different tax benefits. For example, they may deduct business expenses before paying social security taxes, and this can include manager and publicist fees, sidemen payments, instrument purchases, rehearsal space rental and so forth. (Some musicians even set up separate companies — often a Limited Liability Company, or LLC — to take advantage of further intricacies in the tax code.) Continue reading Why Tax Day Is Even Worse For Musicians