Tag Archives: The Blue Note recordings

Jazz at 100 Hours 27 and 28

Make sure to tune in to Jazz at 100 every Thursday night from 7-9! Here are the two hours that aired on December 28.

Hour 27:

Mentored by Thelonious Monk, Bud Powell became the first great piano innovator of bebop. “It would be hard to overstate Powell’s impact. His ingenious technique and originality as an improviser and composer established the foundation for all pianists to follow. Long after bop had faded, Powell remained a source of inspiration for pianists as varied as the harmonically engrossed Bill Evans and the rhythmically unfettered Cecil Taylor. In other words there is jazz piano Before Powell and After Powell.” – Gary Giddens & Scott DeVeaux

Hour 28:

In 1940, Minton’s Playhouse on West 118th Street hired drummer Kenny Clarke as a bandleader. For the house band, Clarke hired trumpeter Joe Guy, bassist Nick Fenton, and an eccentric pianist named Thelonious Monk. Although Monk recorded with Coleman Hawkins in 1944, he didn’t record with his own group until 1947. Despite these kind of gaps that occur throughout his discography, he is competitive with Duke Ellington for the most recorded composer in jazz. The Blue Note recordings of 1947 – 1952 include many of the most recognized of his compositions.