Tag Archives: Fats Waller

Jazz at 100 Hours 17 and 18

Catch up on last week’s show before the next two hours air tomorrow night from 7-9! Tune in to Jazz at 100 every Thursday night from 7-9!

Hour 17:

Jazz has often been understood through the lens of the conflict between art and commerce. In the 1930s, several artists successfully blurred these distinctions. Louis Armstrong adopted popular song as his vehicle foe a successful career shift into the mainstream. Lionel Hampton, a key member of Benny Goodman’s courageous color-blind quartet and the leading vibraphone player of his generation, created a series of high-energy recordings that were foundational in the development of Rhythm and Blues.

Hour 18:

By far the most commercially successful of the stride pianists, he made his reputation (and his living) through comedy. “He wasn’t witty, if that word is taken to imply a kind of humor too subtle to engender belly laughs – he was funny. He was also bigger than life, Rabelaisian in intake, energy, and output. His greatest joy was playing Bach on the organ, but he buttered his bread as a clown, complete with a mask as fixed as that of Bert Williams or Spike Jones. It consisted of a rakishly tilted derby, one size too small, and Edwardian mustache that fringed his upper lip, eyebrows as thick as paint and pliable as curtains, flirtatious eyes, a mouth alternately pursed or widened in a dimpled smile, and immense girth, draped in the expensive suits and ties of a dandy.” – Gary Giddens

Jazz at 100 Hours 5 and 6

Catch up on last weeks show before hours 7 and 8 air Thursday night from 7-9 PM.

Hour 5:

While New York hosted small combos similar to Chicago, it also grew a number of significant larger groups and orchestras. We’ll hear from orchestras led by Fletcher Henderson, Paul Whiteman, Don Redman and Red Allen. Within these bands, we’ll find some of the greatest soloists of the period – Bix Beiderbecke, Coleman Hawkins, Miff Mole, and Louis Armstrong, who spent a little more than a year in Harlem in 1924 and 1925.

Hour 6:

In the last hour, we listened to several of the bands associated with New York, with an emphasis on the new large ensemble form, the jazz orchestra. In this hour we’ll stick with New York, but focus in on the piano music of Harlem – “Stride.” We are joined in this hour by Art Wheeler, pianist, producer, composer and educator.