Hoagy Carmichael was born November 22nd, 1899 in Bloomington, Indiana. He was a pianist, actor, and composer best known for writing the jazz standards Stardust, written in 1927, and Georgia on My Mind, written in 1930. Carmichael moved to Los Angeles in 1936 and began composing for films and acting in supporting roles. He won an Oscar in 1951 in the Best Song category for In the Cool, Cool, Cool of the Evening. Carmichael died in 1981.
John Coltrane recorded “Alabama” in 1963 in response to Birmingham Church bombing. On September 15th, 1963 members of the Ku Klux Klan placed sticks of dynamite under the front steps of the church. The dynamite ignited during the church service, killing four young women and injuring many members of the congregation. The Rev. Martin Luther King Jr. said the eulogy for the victims at their funeral later that week. Coltrane composed “Alabama” as his response to the bombing, and he patterned the music on the speech inflections in King’s eulogy. The piece was released on the album Live In Birdland in 1964.
Tenor saxophonist Sonny Rollins records A Night At The Village Vanguard in 1957 with drummer Elvin Jones and bassist Wilbur Ware
Pianist Oscar Peterson records” If You Could See Me Now” with guitarist Joe Pass, 1983.
Louis Armstrong and his Hot Five record their first piece,” My Heart”, 1925.
Charlie Parker records “Koko” at his first session as a leader, 1945
In 1940 Duke Ellington and His Orchestra played at the Crystal Ballroom in Fargo, North Dakota. Jack Towers and Dick Burris were two local radio broadcasters for the U.S. Department of Agriculture who were also huge Ellington fans. They asked if they could record the performance and were granted permission provided they did not use it for commercial purposes. The recording was unusual for a number of reasons. At the time, live recordings were almost always made in concert halls or night clubs. It is rare to have a recording of a musical ensemble playing dance music live. Further, live jazz recordings at the time were rarer still. Towers and Burris brought a portable Presto-S disc cutter which they set up next to Ellington’s piano. The disc cutter could record fifteen minutes a side on sixteen inch discs. Most records at the time could only play three minutes a side, but Towers and Burris had access to the Presto because the UDSA used it to create lectures that could be played in farm colleges and extension services. The recording is significant because it captures Ellington’s Orchestra in its prime with the natural flow of the performance by not forcing the musicians to stop playing due to recording time constraints. The discs sat in Towers’ basement until the 1970s when Towers retired and took up record restoration as a hobby. He remastered the discs and got permission to release them commercially. The remastered album , Duke Elligton At Fargo Live, 1940, won the Grammy Award For Best Large Jazz Ensemble Album in 1980.
At the end of the school year, all of us at KJEM 89.9 FM bid farewell to our graduating staff members, Andrew Swanson and Katherine Barner.
Andrew Swanson began working at KJEM in Spring 2018 in our Operations and Production department. He hosted his own show, titled The Hip Joint, featuring a mix of fusion and other modern jazz. Andrew was instrumental in producing KJEM Live, our live show last November that celebrated our 5th anniversary. His favorite part of his KJEM experience was sitting down to interview Snarky Puppy band leader Michael League. Now that he’s graduated from WSU, he hopes to find a job in audio and video production.
Katherine Barner has been KJEM’s Marketing Manager since the spring of 2018. If you’ve seen a KJEM social media post in the last year, it was written by Katherine! She also found opportunities for KJEM to interview high-profile artists like Snarky Puppy and Banda Magda. Katherine took on a huge role in planning and executing KJEM’s Jazz Night last April, a community event that featured local artists. Katherine hopes to work in Public Relations now that she’s finished her degree at Washington State.
I’d like to personally thank Andrew and Katherine for all they’ve done for KJEM. It was a pleasure working with both of them, and I’m proud of how much the team accomplished during their time at the station!
Today, we’re also proud to introduce two new KJEM staff members for the 2019-2020 school year.
Riley Hoover will take over as the new Operations and Production Manager. Riley is a music major at WSU, and he brings a great passion for jazz that is perfect for KJEM.
Valerie Rice is our new Assistant Program Manager. Valerie has been around the Pullman area for most of her life, and now she’ll get to help bring great jazz to the community she knows so well. We’re excited to have both of them on board at KJEM!
We have another great year ahead at KJEM. I’m excited to see what new projects and ideas the new team comes up with!
Logan Plant, KJEM Program Manager
Heathe & the Soulmotions perform Cry For Me, Chain of fools, and Baby What You Want Me To Do at Bucer’s Coffee & Pub during the 2018 Moscow Art Walk.
Chick Corea celebrated his 75th birthday this year but the acclaimed jazz pianist is still going strong with a number of live performances this year. Corea was on the road all summer and has settled into an eight week stay at the Blue Note Club in Greenwich Village, New York. This year he has played with 15 different bands that have played music from every phase of Corea’s career.
Chick Corea was born in 1941 in Massachusetts and had music influence from his father who was a bebop trumpet player. Corea gravitated to Latin music in High School and was also influenced by Miles Davis. He got the chance to work with Davis in the 1960’s and helped pioneer jazz rock fusion with records like In a Silent Way and Bitches Brew. Corea also formed the group Return to Forever which would become his most successful venture and still records with the likes of pianist Herbie Hancock and vibraphonist Gary Burton.
Through his numerous groups and bands, Corea finds great importance in collaboration. “The particular music that I love is not just casual interaction with other musicians, but actually creative interactions with other musicians,” Corea says. “It means everything”. The love of creation is what he says keeps him going.
You can read more about Corea’s past and influence on jazz at NWPR.org: