45th Street Brass perform their song PBMJ at John’s Alley in Moscow. KJEM also had the opportunity to interview band leader Peter Daniel before the performance. You can find that interview by clicking on the JEM set tab or scrolling down the news feed on the main page.
KJEM’S Operation and Production Manager Kevin Vallene sits down and chats with Peter Daniel, bandleader of the Seattle based 45th Street Brass ahead of their performance at John’s Alley in Moscow, ID.
KJEM’s Assistant Operations and Production Manager Andrew Swanson sits down and chats with Michael League of Snarky Puppy before their performance at the Roseland Theater in Portland.
Make sure to tune in to Jazz at 100 every Thursday night from 7-9! These are the two hours that aired on January 25.
In this hour we will survey the 1950s contributions of Stan Kenton and his orchestra, Count Basie and his New Testament Band, Duke Ellington at Newport, Gil Evans studio band, Quincy Jones and the adventurous Dectet of Teddy Charles.
Bebop had its roots in the big bands of the late 1930s and was nurtured in jam sessions during the war and the musician’s strike of the 1940s. By 1950, the prescient Coleman Hawkins, and the pioneers – Charlie Parker, Dizzy Gillespie, Bud Powell, and Max Roach were well-established stars at risk of the music moving on and leaving them behind. Yet, they all had much more to offer in the 1950s.
Make sure to tune in to Jazz at 100 every Thursday night from 7-9! These are the two hours that aired on January 11.
Duke Ellington was the well-spring that flowed through many decades of jazz. In 1938, Ellington found his soul-mate in composer/arranger Billy Strayhorn. By the early 1940s, Strayhorn combined with bassist Jimmy Blanton and tenor saxophonist Ben Webster to reinvigorate both Ellington and his band. In the next hour, we will feature the compositions and arrangements of Ellington’s most important collaborator, Billy Strayhorn, from Take the A Train and Chelsea Bridge through Satin Doll and Lush Life to his dying lament – Blood Count – from 1967.
In the 1940’s, some twenty-five to thirty years into the history of recorded jazz, the sometimes violent reaction against the bebop revolution caused a hard look into the rear view and the jazz world focused on its own history. Many of the players who led the first jazz revolution were still alive, ready for prime time, and welcoming of another chance at center stage. The outside forces that led the small ensembles of bebop and R&B into prominence, also supported the resurgence of quintets and sextets playing New Orleans-style jazz.
Make sure to tune in to Jazz at 100 every Thursday night from 7-9! These are the two hours that aired on January 4.
In this hour, we will continue to present bebop innovators – pianist/composer Tadd Dameron and his frequent (but short-lived) collaborator Fats Navarro, the next great bebop trumpeter after Dizzy Gillespie, and two of the greatest and longest-lived bebop soloists, Bird’s rival – alto saxophonist Sonny Stitt who recorded until 1982 and the first significant bebop trombonist JJ Johnson, who was active in music until 1996.
Most of the pioneering bebop musicians we have featured in the past several programs were centered in New York – Bird, Dizzy, Monk, Bud Powell, Coleman Hawkins, Fats Navarro, JJ Johnson, Max Roach. While New York may have dominated the modern music scene, it wasn’t the only scene. The wartime economy in southern California brought an influx of African-American workers, not dissimilar to Chicago in the 1920s, and with them musicians, nightclubs and dance halls
Listen on KJEM every Saturday at 6 pm!
The Retro Cocktail Hour may be moving from Northwest Public Broadcasting’s NPR and Classical Music service, but it already has a well-established second home here on KJEM 89.9FM.
For fans of the funky, vintage-futuristic show who live outside of our terrestrial signal, catch it on the NWPB App through a smartphone, or stream The Retro Cocktail Hour here by clicking “Listen Live” at the top right of the page.
Same party, same day, same time, just at a different address.
If you missed last week’s Jazz at 100, you can listen to both hours right here. You can find all the episodes leading up to the current week’s show on the site if you need to catch up on any of them. Make sure to tune in to Jazz at 100 Thursday nights from 7-9!
While the jazz of the thirties was predominantly remembered as coming from orchestras and big bands, seminal soloists continued to record memorable music in small group settings, setting the stage for disruptive industry transitions to come in the 1940s.
In the last hour we heard from prominent Swing Era soloists Chu Berry, Roy Eldridge, Johnny Hodges and Lester Young, featured in small group settings. Continuing in the small group vein, in this hour we’ll hear from the Benny Goodman Trio, Quartet and sextet, Django Reinhardt and le Quintette Du Hot Club de France avec Stephane Grappelli and the influential, but less well known sextet led by bassist John Kirby.
KJEM’s Program Manager Preston Snyder recently performed at Rico’s Pub in Pullman with his group Room Temperature.
Comin’ Home Baby (Ben Tucker):
Cool Blues (Charlie Parker):
Bourbon plays an average of over 100 shows per year throughout the world, mainly the US and Europe and he will be performing at the Dahmen Barn this June. His most recent music contains a mix of folk, western, jazz and blues. Bourbon has played on stage alongside musicians who have been a part of Miles Davis’ group as well as Van Morrison’s group. More information can be found at the link provided below.